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X-ORIGINAL-URL:https://ukrainianinstitute.org
X-WR-CALDESC:Events for 
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DTSTART;VALUE=DATE:20221118
DTEND;VALUE=DATE:20230212
DTSTAMP:20261114T174625
CREATED:20220110T195524Z
LAST-MODIFIED:20230127T232626Z
UID:40124-1668729600-1676159999@ukrainianinstitute.org
SUMMARY:Ode to a Butterfly - Celebrating Solomea Krushelnytska
DESCRIPTION:\nOde to a Butterfly – Celebrating Solomea Krushelnytska\nA Group Exhibition Celebrating the Life of Solomea Krushelnytska \n  \nArtists Reception for “Ode to a Butterfly” on Friday\, February 3\, 2023. \nRegister to attend at rsvp@ukrainianinstitute.org. \n  \nIn partial celebration of the 150th anniversary of the birth of Ukrainian soprano Solomea Krushelnytska\, the World Federation of Ukrainian Women’s Organizations (WFUWO)\, the Permanent Mission of Ukraine to the United Nations and the Ukrainian Institute of America put out an open call for visual artists to submit works inspired by the colorful life of the opera singer for an exhibition to be held at the Ukrainian Institute of America in New York. \nCurated by Andrew Horodysky and Rymma Mylenkova\, PhD\, Ode to a Butterfly brings together 20 selected artists working in a wide range of media — painting\, sculpture\, photography\, assemblage\, collage\, and fiber — who are each unique in style yet collectively bold in the quest to reimagine notions of the muse\, reinventing popular motifs and metaphors\, among them portraiture\, nature\, music\, and still-life. A number of artists form literal connections to Solomea Krushelnytska’s image\, while others connect their unique pasts with their cultural experiences of the present to create works that are rich in archetypal and spiritual storytelling. \nExhibiting artists: \nErik Airapetian\nArmine Bozhko\nDaria Dorosh\nAnya Farion\nKateryna Ganchak\nAlla Guzhva\nKathie Halfin\nMaya Hayuk\nAnastasiia Kovalova\nKatrina Majkut\nRymma Mylenkova\nYevgenia Nayberg\nOla Rondiak\nChristina Saj\nUlana Salewycz\nIlona Sochynsky\nSerhiy Stepanov\nMisha Tyutyunik\nLesya Verba\nYuliya Yasenetska  \n\nAbout Solomea Krushelnytska \nSolomea Krushelnytska (1872–1952) was one of the greatest international operatic stars of the early 20th century\, a modern symbol of cultural diplomacy and trailblazer of women’s independent standing in the arts\, leading a brilliant and conscious singing career. \nBorn in the village of Biliavyntsi in Halychyna\, her formative years were filled with music – hearing folk songs sung by villagers as they worked in the fields. She first took to the stage at age 11 when her singing instantly gained her recognition. Krushelnytska’s operatic career began with her studies at the Lviv Conservatory\, where she made her debut as Leonarda in a production of Donizetti’s “La Fontina.” \nNotably in 1904\, Solomea Krushelnytska saved an Italian production of Puccini’s “Madama Butterfly.” Studying and performing in Italy\, Krushelnytska settled in Viareggio\, on the Apennine Peninsula\, South of Genoa. From the balcony of her home\, she would marvel at the fantastic beauty of the sunset and the sea. Sources say that this reminded the singer of Ukrainian wheat fields undulating in the wind. \nFor many years to come\, Solomea would divide her time between Milan\, Lviv and numerous touring engagements\, necessary to ensure sufficient funding for her ongoing studies. Naturally\, the passion for learning along with incredible talent brought their dividends: Solomiya had performed in most famous venues all over the world\, including La Scala\, The Paris Grand Opera\, the theatres in Naples\, Warsaw\, St.Petersburg\, Rome\, Cairo and Alexandria\, among others in North and South America. \nAfter 1920\, Solomea changed her career path from opera singer to concert performer. Knowing eight languages\, and having performed over sixty roles\, she included songs of many nations in her concert programs\, but always remembered to add Ukrainian folk songs and popular works by Ukrainian composers to her vast repertoire. \nDespite the hardships the singer suffered during the Nazi and Soviet regimes\, and not being able to give big stage performances during the last decades of her life due to the Iron Curtain\, Krushelnytska has remained a great figure\, acknowledged and recognized in the world of opera music. \nSolomea Krushelnytska died at the age of 80 in Lviv\, Ukraine. A monument was erected at her grave site in Lviv\, and her home has since been converted into a museum in her honor. The Lviv Opera House\, Ukraine’s most notable theater\, is named in her memory. \n\nTo learn more about Solomea Krushelnytska\, her life\, career\, home and museum\, please visit: \nhttps://salomeamuseum.com.ua\nhttps://bit.ly/3RaoeFQ\nhttp://www.orpheusandlyra.com/krushelnytska.html \n \n
URL:https://ukrainianinstitute.org/event/ode-to-a-butterfly-celebrating-solomea-krushelnytska/
CATEGORIES:Art
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DTSTART;TZID=America/New_York:20221201T180000
DTEND;TZID=America/New_York:20221201T200000
DTSTAMP:20261114T174625
CREATED:20220112T114942Z
LAST-MODIFIED:20221130T181920Z
UID:40159-1669917600-1669924800@ukrainianinstitute.org
SUMMARY:An Evening with Xavier F. Salomon
DESCRIPTION:Ukrainian Institute of America \npresents  \nAn Evening with Xavier F. Salomon\nThis past spring\, after the full-scale invasion of Ukraine by Russia\, the UIA was contacted by the team at The Frick Collection\, our neighbor on Manhattan’s Museum Mile. Deputy Director and Peter Jay Sharp Chief Curator\, Xavier F. Salomon\, had returned from a trip to Poland\, where he noticed that Ukrainian citizens were welcomed at museums and other cultural venues at no cost. The Frick reached out to us for assistance in letting Ukrainian passport holders know that they can visit the Frick free of charge. \nInspired by The Frick Collection‘s acclaimed video series Cocktails with a Curator\, the Ukrainian Institute is pleased to welcome Xavier Salomon for a special evening discussion about Antonio Canova’s “The Peace of Kiev\,” followed by Ukrainian-themed cocktails and hors d’oeuvres. \nThe selection of Anthony Canova’s sculpture “The Peace of Kiev” for the evening’s focus is filled with irony. On the eve of the Napoleonic invasion of Russia in 1812\, the sculpture was commissioned by a wealthy nobleman for his St Petersburg palace\, in homage to his family\, that had purportedly ended three wars. The sculpture resided in Russia until after World War II\, when it was moved to the Khanenko Museum in Kyiv\, where is remains until today. As so many works of art throughout Ukraine\, it is today hidden and protected from Russian missiles. Wrought with symbolism\, this sculpture reminds us of the unpredictability of world events as well as of the prospect for peace. \nPlease join us for a fascinating evening! \n__________ \nTickets \nGeneral admission – $125 per person \nUIA Members – $100 per person  \nAt the door – $150 per person  \n
URL:https://ukrainianinstitute.org/event/an-evening-with-xavier-r-solomon/
CATEGORIES:Other
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